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`Among all the contemporary Western scholars of Hindi language and literature, John Statton Hawley occupies a special place as the pre-eminent bhakta of the bhakti poets, both as a fine and lively translator and as an acute and sympathetic interpreter. I value him even more, however, for his extensive competence in both the Indian and the Western modes of approaching an Indian literature, and for his candid problematization of the great gap between the two modes. This is the concern writ large in this book, and this is what makes it an especially worthwhile contribution to Indian literary studies.` -- Harish Trivedi, Professor of English, University of Delhi
`This carefully sequenced series of essays shows what can be achieved when expertise in textual history is paired with a sympathetic reading of primary texts themselves. Jack Hawley`s forensic analysis of the processes through which devotional works are transmitted seeks not to undermind the status by showing how they h ave "grown in the telling", but rather to explain the phenomenon of their popular appeal..., the result is a thoroughly engaging study of Sur, Mira, Kabir, and many other stars of the devotional firmament. This book will rapdily earn a place alongside Hawley`s Songs of the Saints of India as an authoritative history of devotional literature of the late medieval period.` -- Rupert Snell, Department of the Languages and Cultues of South Asia, SOAS
`Hawley`s style has a flair of its own. Involved yet objective, nuanced yet lucid, he writes with a rare mix of emotion and detachment. His very find sense of humour makes reading this book a pleasure.` -- Purushottam Agrawal,Professor, Centre of Indian Languages, Jawaharlal Nehru University
The landscape of North Indian religion was dramatically transformed in the 15th and 16th centuries by a remarkable family of poet-saints. Among the most famous and beloved of these figures--in India and throughout the world--are Mirabai, S urdas, and Kabir. In this book, John Stratton Hawley takes a probing look at all three, finding that many of the beliefs and legends surrounding them--even central motifs--emerged long after their deaths.
Analyzing the oldest manuscripts in libraries and collections across North India, Hawley describes how these poets were heard and perceived in their own day. The results of this exploration are quite startling. Surdas was probably not blind until very late in life and he was never a pupil of Vallabhacharya. The flinty Kabir was early on celebrated as a poet of Krishna. And poems that would tie Mirabai to her own century do not seem to exist.
Who then are these great bhakti poets? Hawley shows that to a surprising degree they are creations of those who have loved them through the centuries. Weaving in some sixty-five English verse translations, most of them based on early manuscripts, Hawley tells this fascinating story of change and transmission.
Three Bhakti Voices bring s together more than two decades of scholarly work. A number of chapters are new, while others situate previously published essays in a context designed to draw out the connections between Mira, Sur, and Kabir. Hawley begins the volume with a section on `The Bhakti Poet-Saint` that ranges over the literature of North Indian bhakti as a whole. He ends with a meditation on what bhakti studies like this mean in the world today.
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Pages : 432
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